'We Were the First Punks': The Ladies Rebuilding Local Music Scenes Around the United Kingdom.
Upon being questioned about the most punk act she's ever accomplished, Cathy Loughead answers without pause: “I performed with my neck fractured in two spots. I couldn't jump around, so I bedazzled the brace instead. That show was incredible.”
She is part of a expanding wave of women reinventing punk music. While a recent television drama highlighting female punk premieres this Sunday, it reflects a scene already thriving well beyond the screen.
The Spark in Leicester
This drive is felt most strongly in Leicester, where a local endeavor – presently named the Riotous Collective – set things off. She joined in from the outset.
“When we started, there existed zero all-women garage punk bands here. Within a year, there we had seven. Now there are 20 – and increasing,” she explained. “Riotous chapters exist throughout Britain and internationally, from Finland to Australia, recording, performing live, appearing at festivals.”
This explosion doesn't stop at Leicester. Around the United Kingdom, women are taking back punk – and changing the landscape of live music in the process.
Breathing Life into Venues
“Numerous music spots across the UK flourishing because of women punk bands,” said Loughead. “The same goes for practice spaces, music instruction and mentoring, recording facilities. This is because women are in all these roles now.”
They're also changing who shows up. “Women-led bands are gigging regularly. They draw wider audience variety – attendees who consider these spaces as secure, as belonging to them,” she added.
An Uprising-Inspired Wave
A program director, involved in music education, commented that the surge was predictable. “Females have been promised a ideal of fairness. However, violence against women is at alarming rates, the far right are manipulating women to peddle hate, and we're manipulated over subjects including hormonal changes. Females are pushing back – by means of songs.”
A music venue advocate, from the Music Venue Trust, sees the movement reshaping community music environments. “We are observing varied punk movements and they're contributing to community music networks, with local spots booking more inclusive bills and establishing protected, more welcoming spaces.”
Mainstream Breakthroughs
Later this month, Leicester will present the inaugural Riot Fest, a multi-day celebration including 25 women-led acts from the UK and Europe. In September, an inclusive event in London honored ethnic minority punk musicians.
The phenomenon is entering popular culture. A leading pair are on their debut nationwide tour. The Lambrini Girls's debut album, their album title, charted at sixteenth place in the UK charts lately.
Panic Shack were in the running for the 2025 Welsh Music Prize. A Northern Irish group earned a local honor in last year. A band from Hull Wench played the BBC Introducing stage at Reading Festival.
It's a movement born partly in protest. In an industry still affected by misogyny – where women-led groups remain lacking presence and music spots are shutting down rapidly – women-led punk groups are establishing something bold: opportunity.
No Age Limit
Now 79 years old, Viv Peto is proof that punk has no age limit. The Oxford-based musician in horMones punk band picked up her instrument only twelve months back.
“As an older person, restrictions have vanished and I can follow my passions,” she stated. One of her recent songs features the refrain: “So yell, ‘Fuck it’/ Now is my chance!/ The stage is mine!/ I am seventy-nine / And in my fucking prime.”
“I adore this wave of elder punk ladies,” she remarked. “I couldn't resist in my youth, so I'm rebelling currently. It's great.”
Another musician from the band also mentioned she was prevented to rebel as a teenager. “It has been significant to release these feelings at my current age.”
A performer, who has toured globally with different acts, also views it as therapeutic. “It involves expelling anger: being invisible as a parent, as an older woman.”
The Power of Release
That same frustration inspired Dina Gajjar to form Burnt Sugar. “Standing on stage is a liberation you were unaware you lacked. Girls are taught to be obedient. Punk defies this. It's noisy, it's raw. As a result, when bad things happen, I think: ‘I'll write a song about that!’”
But Abi Masih, drummer for the Flea Bagz, said the punk woman is any woman: “We are simply regular, career-oriented, talented females who love breaking molds,” she said.
Another voice, of the Folkestone band the band, agreed. “Women were the original punks. We needed to break barriers to get noticed. This persists today! That badassery is part of us – it seems timeless, primal. We are amazing!” she stated.
Breaking Molds
Not all groups fits the stereotype. Band members, involved in a band, aim to surprise audiences.
“We avoid discussing the menopause or swear much,” commented one. The other interjected: “Well, we do have a bit of a 'raah' moment in each track.” Julie chuckled: “You're right. But we like to keep it interesting. Our most recent song was about how uncomfortable bras are.”